Thursday, February 15, 2006
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Issue 17, Volume 53
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ARTS & ENTERTAINMENT

Open your arms to the Open Market

Every second Saturday, an unused store front on Purchase Street in the heart of New Bedford opens its doors. Artists and businesses of the city gather within that small space to sell their wares in an intimate community setting.

Upon walking in the door, it is hard not to feel like part of the close-knit community of artists. Immediately to the right of the door is artist Mary Averie, also known as Miss V. Valentine, whose table holds some of the more interesting art objects of the day: tiny, handmade dolls that she calls “Tillies.”

Averie smiles and gives an exuberant greeting, eager to talk about her work. She explains that each Tillie represents the same little girl on different days, wearing outfits suited to her activity of the day. Each Tillie has a tag attached to her, using wicked wit to describe what she is wearing and why. For example, Mud Pie Tillie is adorned in a brown floral dress in order to make and eat mud pies. (An advisory is given that dolls can eat mud pies because they are not human, but that others should not mimic the action.)

Other larger dolls feature Tillie as a grown-up, doing grown-up activities. Suffragette Tillie is one example that comes to mind. Another version of the larger dolls are Tillie’s Nightmares: victims of great disasters, such as the sinking of the Titanic, the Molasses Flood of Boston and even an Indian abduction. The dolls are at times darling and innocent, but always with a hint of the macabre.

Following a cheerful parting with Averie, the rest of the market is explored. After walking by racks of vintage clothing and tables of antique records and objects, Daniel Kamman’s table presents itself as unique.

Kamman is no stranger to the New Bedford Open Market. A monthly participant at the market, he sells his brand of industrial jewelry, which he makes from parts bought off eBay and from parts dealers. He also has been a regularly featured artist during the New Bedford Open Studio events of past years.

This graduate from the Polytech Institute of Brooklyn and Purdue has three engineering degrees (including a doctorate) and over 30 years of engineering work. Still, with all his talent and experience, one of his greatest joys is his work with jewelry. He says, “Feel free to ask me any questions. I love my work and talking about it.”

Kamman also loves being a part of the Open Market. He mentions that he always walks around to see the wares of his peers and often spends much of his profit from the day on the works of others. As Kamman explains with a smile, “I always have to make sure that I sell more than I buy.”

At the next table over is artist Miriam Jackson. Selling original paintings and reproductions, she explains that Saturday was her second time at the monthly market. “It’s been slow today, though. I’m not sure if it’s because of the [cold] weather, makes people stay in. I’ll have to come back next month to see what it’s like then.”

When asked what inspires her brightly-colored, impressionistic work, Jackson replies with a smirk, “The past. Things I’ve seen; things I’ve experienced.” And though only her paintings and prints are displayed, she is also a photographer and graphic designer, producing ads for local businesses, like couture shops on the ever-fashionable Thayer Street in Providence.

These are just some of the artists who join together every month for the New Bedford Open Market. Make sure to check out the Open Market next month, and be sure to bring your wallet with you. This is one event that you’ll regret leaving empty handed.

The vending space is located at 768 Purchase St., Downtown New Bedford. Future Open Markets will be held on March 10 and April 14, from noon to 5 p.m. For more information about the event and vendors, visit www.myspace.com/nbopenmarket.

Images: (Top) Miriam Jackson stands with some of her original paintings and reproductions, which she was selling at the New Bedford Open Market this past weekend. It was her second time taking part in the event.
(Middle) Daniel Kamman also had a table set up in the store-front space on Purchase Street in New Bedford. He is a veteran participant in both the Open Market and Open Studio events, selling his industrial jewelry creations.
(Bottom) Mary Averie’s doll creations were among the more interesting wares of the market. Called “Tillies,” the dolls represent the same little girl on different days of her life — from childhood to adulthood, with a couple of nightmares thrown in for good measure.


'Quotidian' makes the ordinary extraordinary

Closing reception to be held Friday for exhibit

Walking into the small, dramatically lit room that comprises Gallery 244 of the Star Store is like entering a surreal dream -- or nightmare, for clumsier individuals. The floor is literally covered with daintily balanced ceramic dishes. To one side, there is a wooden pedestal, presenting a larger ceramic bowl.

The installation is part of CVPA graduate student Heather Sancomb’s “Quotidian” exhibition. Meaning “commonplace” or “recurring daily,” the exhibit’s name is aptly chosen. The hundreds of hand-sized dishes give a sense of repetition and habit, making a grand artistic statement out of something so often overlooked as merely utilitarian.

In her artist’s statement, Sancomb writes, “Balance is something we strive to achieve between challenge and satisfaction.... The peace that accompanies balance can sometimes be found through created order of individual small moments; other times it can only be found through that which rises up from within us, powerful and raw.”

Sancomb continues, “When we embrace both of these aspects of life, we can begin to set a pace that is livable and take comfort in its entirety. I believe that this is enhanced when we take elements out of the context in which we see them every day, thus enabling them to be something greater than themselves.”

Clearly, Sancomb put a great amount of thought into this exhibit and its presentation. Her statement fits with the ideas and feelings that surface while viewing “Quotidian” and translates itself through its arrangement.

The balance of which she speaks is carried across not only in the balancing of dishes, but also the balance between the two installations: the stacks of ceramics cross the floor and the large ceramic bowl on the pedestal. It seems strange at first that a single work could compete with something so expansive in space and numbers, but Sancomb’s exhibition works in just that way.

It is difficult to view the installment as anything but a cohesive whole. However, the individual dishes arranged across the floor are just as beautiful and thoughtful as the collective to which they contribute. Perfectly formed, the off-white and pale green dishes have pools of cracked glaze coating the inside and supplying added visual interest to the pieces.

The larger bowl is just as visually intriguing, especially given its strange appearance. In contrast with the smaller dishes, the bowl is not as neatly formed and, in fact, looks charred and crushed from the heat of the kiln. Those blatant imperfections (however intended they may have been) are what make the piece the work of art that it is.

Stop by Gallery 244 at the Star Store to see ‘Quotidian’ before its closing on Saturday, February 17. A special closing reception with artist Heather Sancomb will be held tomorrow night, Friday, February 16, from 6 to 8 p.m. The Star Store is located on 715 Purchase St., Downtown New Bedford. The exhibit and reception are free and open to all.

Images: (Top) Artist Heather Sancomb stands betweem the two installations in her exhibit, “Quotidian,” now on display in Gallery 244 of the Star Store.
(Mid) A close-up of Sancomb’s work, above, shows the variances in the individual pieces that make up the whole work.
(Bottom) The exhibition’s main installation, shown below, is comprised of hundreds of tiny dishes, carefully balanced and arranged across the gallery floor.


Zeiterion provides year-round date alternative

The New Bedford Symphony Orchestra delivered a sumptuous Valentine’s concert on Saturday night at the Zeiterion Theater. The evening’s itinerary covered a lot of ground, with Parisian ballet music, an Argentinean tango and a wonderful Italian-inspired symphony.

The first piece told the story of the creation of the world, from “Creation of trees, plants, insects, birds and beasts,” to “Desire between man and woman.” The performance started out quietly and gradually built in intensity, with fast, jazzy interludes handled by a drummer and two horn players.

The composer of “The Creation of the World,” Darius Milhoud, lived in Paris in the 1920s. Conductor David MacKenzie called the piece “one of the rowdier compositions in the orchestral repertoire,” but even given that description, the NBSO played it a bit safely. The jazz elements felt a little stiff, lacking the ragged expression of improvisation. Still, the orchestra did manage to evoke dim images of the freewheeling Paris of long ago.

In the second performance of the night, Daniel Binelli, backed by a large string orchestra, took the stage with an accordion-like instrument called a bandonean, and played Astor Piazzolla’s “Concierto para bandonean.” Binelli, said to be the top bandonean player in the world, proved what a surprisingly versatile instrument it can be. Balancing the middle of the bandonean on his knee as he stretched the two halves of the instrument apart, the bandonean let out a wide range of sounds, from mournful wails to laughter.

After an intermission, the full orchestra closed out the night with Mendelssohn’s fourth symphony, which is a brief, big piece known as the “Italian” symphony because it is said to evoke all the passion and sunlight of Italy. The orchestra shined in this piece, filling the Zeiterion with sweeping arpeggios and a furious finale that inspired images of Ferraris racing along sinuous roads in the Tuscan countryside.

The NBSO’s next performance, their annual Spring Concert, will be held on March 31 at the Zeiterion Theatre. The Zeiterion is located at 684 Purchase Street, Downtown New Bedford. Student tickets are available at a steep discount ($13), offering an artistic and romantic alternative to other date options year-round.


EAT A DUCK I MUST

Just say 'No' to sweaty goats' balls

You can always tell when someone can’t cook. And I don’t mean the trophy wives who burn water, or the well-meaning grandmas whose loving spoonfuls lovingly induce the runs.

Instead, I’m looking politely at all the Jamie Oliver-wannabes, trying to impress the dodgy girls they picked up in dodgy bars the night before. The ones who painstakingly measure out a teaspoon of salt in a dish, a tablespoon of corn flour in another, two inches of cilantro in yet a third.

The girls swoon and bat their lashes, make timely gasps of excitement and ooh-and-aah over how their metrosexual catch masterfully separates egg yolk from white. Meanwhile, the bits of this and bobs of that pile up. Before you know it, the entire bench top is colonized with pantry upchuck and every vessel known to mankind.

And then (rant not done), he starts to cook. BAM! Watch me jazz this up with a little microplaned umhfoufou! BAM! See me flip this with my awesome headless-chicken-flapping technique and ninja levitation skills. Look, Ma, no hands!

At the end of the performance, there’s egg curdled on the stovetop, flour motes in the air and there’s enough pig grease on the floor to power a Hummer.

He -- let’s call him Chad, shall we? -- buys herbal tea in gauze sachets (because ordinary tea bags are so pedestrian) and makes sure there’s at least one exotic-sounding ingredient that the girls haven’t heard of...like wild Tibetan goji berries or dehydrated, ground, sweaty goat’s balls.

He also makes sure there’s pretty china to serve it with -- one of those fancy, French glass pots from Mariage Freres (or the Holiday Inn) -- and just adds hot water.

Nookie is cheap.

One wonders how much action can be attributed to the punk-rocker chefs on TV. The ones who come up with revolutionary new products like the $35 “Flavor Shaker,” a plastic bottle housing a ceramic marble which will “crush, grind, mix, purée, blend” like a modern-day pestle and mortar.

It’s a great idea and carpal tunnel-inducer all at once. You just (suavely) throw everything into the bottle and (suavely) shake, making gastronomical greatness look (suavely) effortless the whole time. Looks real smooth, and really gets the blood pumping. Especially when it doesn’t work.

But seriously, how many men have figured out that being able to cook (or at least assemble...suavely) is a real ladies’ draw? Doesn’t matter if the only thing he can throw together is whatever’s-leftover-in-the-fridge chili. If he’s got the All-Clad pans and the Microplane grater, the Miele stove and the Kasumi knife, and he can emulate the Emeril “BAM!” just so, he’s set.

It used to be men who danced who got all the attention -- the ones who were sufficiently assured of their own masculinity to thrust and gyrate in public. Now it’s the ones who are savvy enough to don the gingham apron and temper chocolate, to idolize Julia Child rather than Jennifer Aniston, who’ve got girls beating a path to their door.

Don’t get me wrong. I’m grateful that being in the kitchen is no longer stereotyped as “women’s work,” that getting dinner on the table is not just her responsibility any more. I just resent the guys who milk it, who call perfect strangers “darling” in faux British accents and latch (much like they would a slippery, sweaty, goat’s teat) on to terms like “terroir” -- not having a clue what it means.

Being able to cook is the new leather jacket-and-dirt bike ensemble, the 21st Century John Wayne/Patrick Swayze/Fabio accessory.

But sieve the Chads from the heap, girls. Don’t stand for sweaty goats’ balls.

Light bulbs, brickbats or roses? E-mail eataduckimust@gmail.com.


RECOMMENDING RHONDA

Rhonda says: Eat at this restaurant!

For those of you that are looking for somewhere new to eat out besides the greasy, calorie-infested creations of Taco Bell and Wendy’s, I’ve got a place for you.

Healthy Grille, a locally owned, one of a kind cafe, is committed to catering to its customers with nutritional yet delicious cuisine. Healthy Grille is not a chain, and we are extremely lucky to have them located a hop, jump and skip away (on Route 6, towards Westport).

What kind of food does the Grille offer?

You name it, they have it! Mexican, seafood, steaks, burgers, sandwiches, tofu, pasta, salad, soup and — a recent addition to the menu (for those of you who are 21 or older) — a page worth of wine and beer choices.

The menu is astoundingly large and consists of about 10 pages of mouth-watering delights. I always have a hard time choosing what I want because everything sounds so darn good!

And the prices are almost as satisfying as the food. Being the poor, penny-pinching students that we are (unless it comes to alcohol and video games), we can’t afford to ditch Res quite as often as we’d like. The prices are generally between $5 and $11, and the most expensive item on the menu is only $15 (and that’s for steak tenderloins, which won’t be cheaper anywhere else).

Still not convinced?

Let me take you on a walk through the wonders of a meal.

For an appetizer, I would highly recommend the Vegetable and Dip. It is described as a “bread bowl filled with spinach vegetable dip, surrounded with baby carrots and broccoli florets,” which costs only $6. The bread is fresh and warm, and the dip is out of this world. My friends and I have tried to reproduce the dip, but we can’t perfect the recipe, so we have to keep going back there for more. Not that we mind...

For my next course, I usually order a Roasted Veggie Salad, which costs only $4.99 and consists of mesclun greens, summer squash, red onion, roasted zucchini and eggplant. For the main course, I normally lean toward the Sante Fe Wrap, which is stuffed with peppers, onions, fajita seasoning, chicken, Spanish rice, lite sour cream and homemade salsa (which is quite fantastic!). The wrap is served with a side of baked tortilla strips, which have absolutely no grease. All together, this main course costs $7. I almost always have leftovers, which means that a measly $7 will pay for two delectable meals.

The Grilled Vegetable Ravioli is another favorite of mine. As a veggie lover, I am absolutely crazy about the ravioli, which are stuffed with grilled portabella mushrooms, onions, carrots, asparagus and peppers in a blend of ricotta, mozzarella, parmesan, fontina and romano cheeses. Tossed with tomato oregano sauce and topped with shredded parmesan cheese, this savory dinner is well worth my $12.

I always have to satisfy my sweet tooth after a large meal, and at Healthy Grille, I can do so without feeling guilty. One of my personal favorite desserts is the Baked Apple, which is stuffed with raisins, flavored with cinnamon and brown sugar, and topped with homemade whipped cream. The Chocolate Mousse Pudding is also quite delicious, and both desserts cost only $4 each.

So, let’s add up the bill, shall we?

If I get the Bread Bowl, the Roasted Veggie Salad, the Sante Fe Wrap and a dessert, my total bill will only add up to $22, which is a great deal for so much good, healthy food.

Healthy Grille is located on 634 State Road (Route 6) in Dartmouth, just after Walmart. To get there from campus, take a right out of campus, a right onto Cross Rd, a left at the light, and a right into the Healthy Grille plaza.

The Grille is open Monday through Saturday, from 11 a.m. to 9 p.m., and on Sunday, from noon to 7 p.m. Eat, repeat, enjoy!

For more information on Healthy Grille, visit www.healthygrillerestaurant.com.


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